That Drifting Poo Was Far Too Meaningful! It's the TV Letdowns of the Year.

Looking back, we reflect on the television offerings of the past year, a selection of shows stand out not for their brilliance, but for their notable shortcomings. From cringe-inducing spin-offs to bafflingly bad documentaries, here are the programmes that left us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate spin-off? Burdened with woeful scripts, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show struggled to justify its existence. Briefly, as the third series began, it seemed as if it had at last hit its stride. Then arrived an installment all about Seema’s natural deodorant. Little surprise the creator declared this would be the final series. It ended on a bum note; the closeup of Miranda’s loo full of poo was just way too on-the-nose. Still, fans certainly had a hoot dissecting every single “wtf?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who didn’t let out a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the smallest of this drama's problems. The recipient of a exceedingly uncommon zero star review, it was difficult to know where to start listing the problems. The hilariously leaden dialogue? The tedious veneration of wealth and consumption? The seemingly wilful procession of tropes? Performances so bad they felt borderline spiteful? Let’s just say “each and every one” and never speak of this series again. However, a new season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, domestic violence claims and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have known it from this three-part documentary which chuckled along at Sheen’s various episodes of self-destructive excess while struggling to tell us a single thing we weren't already aware of. Rather, it felt as if this volatile personality was being pandered to, so any sympathy this series might induce should be reserved for the people who have had to suffer close contact with this charming but flippant egotist.

The Iris Affair

Naturally we understood it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. Talk about admitting defeat.

MobLand

Shady characters convening in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is unfair on the crime shows of the late 90s. Many look a bit dated now, but at least they didn’t endure the ignominy of having to accommodate baffling dialects. But there were many other problems. Mainly that it was just profoundly dull; a conflict over drug-selling territory between various London rogues which seemed rather simplistic.

The Meghan Markle Series

Considering the degree to which she provokes the ire of certain ostentatiously angry commentators, it’s temptingly tempting to admire the Duchess of Sussex’s various forays into twee homemaking as intentional provocations. But then you view them and are compelled to admit that in this case, they might have a point. It’s like watching a lifestyle catalogue animated; a poster for wine o’clock with ideas of grandeur; a parade of snoozing dogs, humming beehives, Hallmark sayings and forgettable crafting “hacks” you’ll not remember instantly. All supported by immense, largely undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about both Victoria Beckham and her journey with vocation, self-image, self-worth. But for some reason, this three-part series opted not to explore them. Rather, the viewing was like consuming a sales catalogue. She obviously has every right to resent what she describes as her “stern” image. But sadly, she didn’t do herself any helps with this cagey non-event of a series.

The Inheritance

It had the potential to be the next big hit – except even camper, with a glamorous star as a deceased benefactor and a well-known personality overseeing her estate. What more could you ask for? As contestants competed, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s still too complicated to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a programme that was straining desperately to emulate something far greater than it.

Too Much

How do you succeed a show that defined a generation? The expectation was immense for this starry romantic comedy about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Austen levels of romantic ideals. But it was all very slick and, paradoxically, was not enough. Plus, the abundance of famous cameos involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd inclusion of gifted younger comics, expectations were high. But unhappily, most of it fell flat. A recurring sketch was a one-note joke milked to a husk but repeated in every episode. One star seemed too ready to slip into a familiar irate mode. The behind-the-scenes sketches, in contrast, simply inspired the idea that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be handled sensitively. Instead, the series laboured awkwardly to find the right voice, lurching from oddly jaunty, somewhat mannered farce to ultimately, real-life horror. Complex? Arguably. A total mess? Absolutely.

Prime Target

We love the star … but did we believe him playing the most brilliant maths genius in history, a man so smart he’s on the brink of a discovery that could ruin society? No! This international thriller about secret services targeting – and eliminating – academics honestly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator renowned for sexual escapades as she undertook her most extreme challenge yet. What on earth would motivate her? What we craved was way more interrogation of her true psychology, plus those of the men in the queue. They could at least have spoken to the legendary mum who showed up to drag her son out of the queue. What we got was disturbing imagery and absolutely no critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

David Carrillo
David Carrillo

Maya is a digital strategist and writer passionate about exploring how technology shapes everyday life and culture.